While usually loving Hitchcock's bookending and generally it's humorous here, the wife beating remark really doesn't hold up and is in bad taste. Stevenson's direction is on the uninspired side in the second half and the dialogue never properly crackles. The ending is so anaemic too that it's almost immediately forgotten about and it is easy to question was there an ending or a twist. The story does thin out and loses its tightness, there is no real suspense and the mystery becomes bland and obvious. For me, the second half is not as interesting. ![]() The bookending, with one exception, is typically ironic and the main theme is suitably devillish. It is also an episode with a promising first half, where there is some real intrigue and it is easy to invest in Paula's predicament. The episode is slick visually and has some nice atmosphere, mink coats always catch the eye on film and television. The cast are all fine, though the rest of the cast are never on the same level as Hussey. Ruth Hussey is very good in the lead role and is the main reason as to why the second half is just about worth sticking with. There are better episodes in the season, and we are including Stevenson's entries, this is certainly no "And So Died Riabouschinska". It is not one of the worst episodes of Season 1, none of it is on the same levels of weak as "The Hidden Thing", but it had potential to be a lot more exciting than it turned out and it was a great of a promising start but runs out of gas too early. "Mink" could and should have been a good deal better than it was. It was great to see Robert Stevenson back in the director's chair for the first time since "There's an Old Woman" and the story idea grabs the attention enough at least. ![]() Others are invited to pretend they see nothing, hoping to jar a confession. A retired detective plans to make a suspect in a murder think hes seeing the victims ghost on the anniversary of her death in the home she was murdered in. With Alfred Hitchcock, John Williams, Kenneth Haigh, Reginald Gardiner. Season 1 had some great and more episodes, as well as a smaller handful of misfires. Banquos Chair: Directed by Alfred Hitchcock. ![]() Naturally,when I watch a Hitchcock episode that I haven't seen before, seeing certain actors names,whether it's Barbara Baxley, Russell Collins, Robert Emhardt, or so many others, I get happy & I know that I'm in for another special treat!If there is someone reading this who has not seen "Road Hog", I promise you, if you see it, you won't ever forget it.While there were some misfires in it, 'Alfred Hitchcock Presents' was a very interesting and more than worthwhile series if you love the master of suspense. I love everything Hitchcock has ever done, so I knew I'd see so many episodes that I would be so exciting to see for the first time, or the tenth time.While watching the tapes, "Road Hog" began, & as I sat there watching, I thought, "Oh my god! I think this is it!" I thought I was going to die from happiness! I was freaking out!Robert Emhardt is one of those actors who always gives an incredibly intense, chilling performance.You just can't take your eyes off him.Now I have the first two seasons on DVD (Road Hog is from a later season), & can't wait to get all the rest. ![]() I remember seeing this episode about 15 years ago, but not too much specific information about it.What I remembered, was a car going really slowly down a road, & some people in a truck wanting to pass because they were in a hurry for some reason.And I remembered being completely blown away by the ending.I knew that someday I would see it again.A few years ago, TV Land ran an Alfred Hitchcock Presents marathon, & I recorded the whole thing, over that whole weekend.
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